It was time to see what all the fuss was about. Although I accidentally started with the third book in the Millenium series, I don’t mind. The Girl Who Kicked the Hornet’s Nest gives a good explanation of what came before it and brings closure to the series.
Lisbeth Salander, a woman who’s wanted for three murders, shows up nearly dead of gunshot wounds in Gosseberga, Sweden. Her father, an ex spy, has an axe wound to the face. As Salander recuperates in the hospital, awaiting trial, shadowy forces try to make the whole situation disappear.
The book’s greatest strength is Salander herself. It’s fun to inhabit the mind of a genius computer hacker who’s uninhibited by the morality of mere mortals, though I wouldn’t want to meet her in person. Larsson writes with a crisp, dry style that even makes the infodumps interesting. I learned more about Sweden, the Swedish justice system, and the Swedish Intelligence Service than I ever thought I wanted to know.
The whole book was fun.
It has some problems. It’s heavy-handed: I get the point already that violence against women is bad, and breaking the Swedish constitution is bad. Computer hacking does not work the way that it is presented in the book. And it’s a pretty serious wish fulfillment fantasy for journalists. Not only does Mikael Blomquist have a full-time job at a financially solvent magazine, he gets to dash around protecting the vulnerable, exposing crooks, and earning the admiration of Swedish Intelligence agents. And for some reason everybody wants to have sex with him.
The book also has some worrying ethics. The protagonists of the book form a team effort to clear Salander’s name of the murders she didn’t commit. But Salander really is a criminal. She’s stolen billions, attempted murder twice, and in the epilogue, she’s an accessory to another murder. Her friends do a lot of breaking and entering and creepy-as-hell surveillance to help her. A doctor at the hospital intentionally misdiagnoses Salander to buy her time before she goes to prison. His actions echo those of the villain Teleborian, who misdiagnoses Salander to get her locked up in a mental institution. Why is this behavior okay when it’s done in the service of Salander?
I recommend the book. Though it’s odd, and Lisbeth Salander is terrifying, it’s a wonderful romp through Swedish society.